Re-organization and Layoff Team Discussion & Summary Essay Example for Free

Re-organization and Layoff Team Discussion Summary Essay Mismanaged layoffs can go horribly wrong. The effect of mismanaged LAYOFFs on the remaining workforce and the effects, lack of management preparation, the human condition, and lack of mitigation strategies. We think that the problem with this article is that not enough managers or HR personal, know how to let a person go from their employment effectively. They sometimes dont realize the impact that it has on the other employees morals. Also, that sometimes companies dont take a closer look to make sure downsizing will be the answer to cutting costs like they think that it will. Every HR or manager should be let go in their lifetime so that they know what it feels like. I believe that this statement holds tremendous merit because the best lessons in life are learned through personal experience. In order to adequately communicate life changing messages of sorts, it should be done by a seasoned manager. I will be very surprised if any company has a potential layoff learning path that will coach and train the management staff for these kinds of things. It is imperative to be sensitive to the individual being laid off as this will impact their livelihood significantly. I do agree that other options much is explored such as relocating or wage cuts before making the decision to lay off people. The Problem Layoffs create uncertainty in the workforce causing loss of productivity in remaining the remaining workforce. The article addresses that a managers approach is paramount; we dont disagree with this sentiment, but I dont see it as a large of an issue as the author of the article. If a company is at a point where they are laying off employees, all other options should have been exhausted. The author writes the article from the position that managers dont know how manage and that layoff are ineffective. I agree layoffs are not useful, but an amount of respect or approach refinement is  going to make the loss of income any easier; I compare that to putting lipstick on a pig. Trying to make a bad situation easier is often more disrespectful than being direct. Firing is something that is done privately and should be kept confident between the manager and the employee being let go. If a manager is letting, someone go for the right reasons the example should be evident to the employees as cause and effect; being held accountable for their actions. If the Manager is abusing their hiring/firing authority that would affect employee morale; forced silence, uncertainty, etc. Problem Solutions The options that were covered in the group discussion I feel very informative. When it comes to releasing someone, whether it is a termination or a layoff, it was discussed if training for those types of situations would be suitable, or if one could even prepare to carry out something of that delicate nature. You can train someone how to do anything, but that does not necessarily mean it will be conducted in the manner it was taught. I think it all highly depends on the situation and the individual who is delivering the news to the employee. The authors best point is one of the best solutions; transparency. Managers should allow people the autonomy of reacting, working through, and coping with a layoff in their own way. Transparency is the most respectful approach that management can take as it shows them the truth of the situation and explains the steps being taken and why. I would add rather than trying to find another position within the company as suggested (the company is already struggling!?) they could offer employment assistance to other enterprises; communicate with other organizations in the same industry to identify openings that people would fit into well. They could put together a communications package that shows them what benefits are available, assistance programs, etc.

Romanticism in Tim OBriens Going After Cacciato Essay -- Going After

Romanticism in Tim O'Brien's Going After Cacciato       Critics of Tim O'Brien's Going After Cacciato have examined its narrative technique (see Raymond) and its position in literature as metafiction (see Herzog).   Still other critics have commented on the motif of time (see McWilliams) and the theme and structure (see Vannatta).   On the last point, critics find the structure of the novel is fragmented to reveal the nature of the United States' involvement in Vietnam.   Unfortunately, this fragmentation makes the novel appear structurally weak.   Critics have found no unifying element to the parts to affirm the sense of wholeness readers feel after completing O'Brien's novel.   Nevertheless, the reader senses that the seemingly random construction of the novel serves to underscore the random nature of the Vietnam war.   However, to lightly dismiss O'Brien's organization as simply fragmentary does great disservice to this American author.   A critical examination of a traditional element found in American Literature since its inception--the symbolic use of Nature--unifies Going After Cacciato and places the work firmly in the Romantic tradition.   Just as Romanticists have always relied upon Nature to unify and add substantial depth to their novels so, too, has O'Brien.   Specifically, a different element of Nature appears in each of the sections of the novel.   The novel divides into three distinct parts: the observation post chapters, the recollected history chapters, and the chasing Cacciato chapters.   In the observation post chapters, Nature is represented by the sea.   In the recollected history chapters, Nature is represented by the land and the fresh water.   In the chasing Cacciato chapters, Nature becomes ... ....   Nevertheless, the defeat by the land provided O'Brien with a refreshingly new revitalization of the traditionally romantic motifs of water and land, while also exploiting the ambiguous nature of war.         Works Cited       Herzog, Tobey C.   "Going After Cacciato: The Soldier-Author-  Ã‚  Ã‚  Ã‚  Ã‚   Character Seeking Control."   Critique 24 (Winter 1983): 88-  Ã‚  Ã‚  Ã‚  Ã‚   96.    McWilliams, Dean.   "Time in Tim O'Brien's Going After Cacciato." Critique 29 (Summer 1988): 245-255.    O'Brien, Tim.   Going After Cacciato.   New York: Delta/Seymour   Ã‚  Ã‚   Lawrence, 1978.    Raymond, Michael W.   "Imagined Responses to Vietnam: Tim   Ã‚   O'Brien's Going After Cacciato.   Critique 24 (Winter 1983).    Vannatta, Dennis.   "Theme and Structure in Tim O'Brien's Going   Ã‚   After Cacciato."   Modern Fiction Studies 28 (Summer 1982):   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   242-246.

Night: the Holocaust and Figurative Language

â€Å"Night† by Elie Wiesel is an autobiography in which Elie’s life during the Holocaust is explained. Elie Wiesel uses imagery, figurative language, and pathos as tools to express the horrors he experienced while living through a nightmare, the Holocaust. Elie describes his experiences with imagery. â€Å"Open rooms everywhere. Gaping doors and windows looked out into the woid. It all belonged to everyone since it no longer belonged to anyone. † â€Å"Some were crying. They used whatever strength they had left to cry. Why had they let themselves be brought here?Why didn’t they die in their beds? Their words were interspersed with sobs. † (35). Elie explains how people reacted to finding their friends alive. You can picture how desperately they cried with an understanding as to why they were crying. â€Å"The two men were no longer alive. Their tongues were hanging out, swollen and bluish. But the third rope was still moving: the child, too light, was still breathing. And so he remained for more than half an hour, lingering between life and death†¦He was still alive when I passed him.His tongue was still red, his eyes not yet extinguished† (64-65). As a way to show control, keep fear and prevent rebellion, â€Å"prisoners† were hung. Elie describes the gruesome hanging of a young boy as he died a slow, painful death. The imagery throughout the book describes, with detail, things that couldn’t be imagined alone. Elie writes his autobiography with figurative language. â€Å"My soul had been invaded-and devoured-by a black flame† (37). Elie no longer felt like he was living. He uses a metaphor to compare the feeling of his defeat to his soul being eaten. All I could hear was the violin, and it was as if Juliek’s soul had become his bow. He was playing his life. His whole being was gliding over the strings. His unfulfilled hopes. His charred past, his extinguished future. † (95). Elie meets Juliek, a man he knew before who played the violin in the Buna band, at the concentration camp in Buchenwald, and as Juliek plays his violin, Elie sees it as Julie expressing how he felt. Elie writes how Juliek and his violin symbolized everyone’s thoughts and feelings.Using different types of figurative language, Elie conveys the feelings of defeat and anguish they felt. The element of pathos is also used by Elie as means to describe his experience as he appeals to our emotions. â€Å"Not far from us, flames, huge flames, were rising from a ditch. Something was being burned there. A truck drew close and unloaded its hold: small children. Babies! Yes, I did see this with my own eyes †¦ children thrown into the flames. † (32). Elie describes how the ones that couldn’t work were treated.Because children were seen as a hindrance to the work, they were burned to their death. Even babies who haven’t had the chance to live life were mercilessly murd ered. â€Å"The idea of dying, of ceasing to be, began to fascinate me. To no longer exist. To no longer feel the excruciating pain of my foot. To no longer feel anything, neither fatigue nor cold, nothing. † (86). Elie was in so much pain living, her felt that dying would feel better then living. He was suffering so much to the point where he would even accept death if it came.Elie writes with pathos, as he appeals to the readers’ emotions. Elie Wiesel’s autobiography, â€Å"Night†, uses many components in writing a story that would indulge readers as they read how he lived and felt during the Holocaust. He uses things such as imagery, figurative language, and pathos as means to do so. The pain, the horrors, the fear, the defeat felt during that nightmare, the Holocaust; things that we wouldn’t ever be able to truly understand unless we experienced it, he tries his best to speak of his experience as a survivor.

Benvolio Mask Essay

For my Benvolio mask, I chose the color blue for loyalty, the dove’s wing for being a peacemaker, and the monocle to represent wisdom. In public, when Benvolio enters the scene, he sees men with raised swords so he told them to â€Å"put up your swords† (1,1,76). Tybalt then enters and tells Benvolio to draw his sword but Benvolio tells Tybalt that he should â€Å"part these men with me† (1,1,82). This shows that Benvolio wants no violence but rather peace. Since a dove’s wing means peacefulness, honesty, and faith, I chose the dove’s wing because Benvolio has all these traits. After the fight, Romeo is seen grieving about his purged heart and tells Benvolio goodbye, but Benvolio tells Romeo that he will â€Å"go along†(1,1,196) and if Romeo leaves him, then he will â€Å"do [him] wrong†(1,1,197). True friendship and loyalty was exhibited in this scene which is represented by the color blue on the mask. I put blue as the background of the mask because it’s meaning is loyalty and Benvolio shows this by tagging along with his friends and trying to soothe them and communicate with them. When the Capulets arrive into the public place, Mercutio calls Tybalt out to fight him , but when Benvolio sees the danger point, he tells the men to â€Å"withdraw unto some private place, and reason coldly of your grievances, or else depart. † (3,1,50). When no men heed Benvoilio’s warning, Mercutio is killed and Romeo looks for revenge and he achieves it with a fallen pale Tybalt. Benvolio tells Romeo to â€Å"be gone†(3,1,134), and to â€Å"stand not amazed† (3,1,134) since the â€Å"prince will doom thee death†(3,1,136) and â€Å"if thou art taken: hence, be gone, away! †(3,1,137). This shows how wise and aware Benvolio is. A monocle represents this because when one wears a monocle they have the urge to think deeper.

Rock Me Amadeus and Der Kommissar Lyrics by Falco

Rock Me Amadeus and Der Kommissar Lyrics by Falco Falco was one of the first Euro-pop stars to receive a truly international fan base. His hit songs like Rock Me Amadeus and Der Kommissar are a mix of German and English lyrics in a techno-pop style and they topped international music charts during the 1980s. While Falcos life and career were short, he left a mark on music history. He was one of the first musicians who broke national barriers and appealed to music lovers throughout the world. Who Was Falco? The Austrian pop star  Falco  was born Johann Hà ¶lzel  in Vienna on February 19, 1957. He first gained international attention with his huge hit â€Å"Der Kommissar† in 1982. After â€Å"Rock Me Amadeus† in 1985, Falcos popularity extended into the 1990s until his untimely death at the age of 40. Falco died on February 6, 1998 in an auto accident near Puerto Plata in the Dominican Republic. He had moved there in 1996 to avoid high Austrian taxes and the constant attention for media. He was in the process of setting up a new recording studio when he drove into the path of an oncoming bus. Falcos Biggest Hits The majority of Falcos songs contain what VH1 calls â€Å"a droll mixture of German and English lyrics.† Many were recorded and released for both the European and American markets as well as various other editions. The versions of â€Å"Rock Me Amadeus† and â€Å"Der Kommissar† on European releases are different from the U.S. releases, plus there is a variety of â€Å"remix† versions of many Falco songs. Falcos German lyrics are usually easy to understand (except when he uses a Viennese dialect). While many of his songs were popular, only a few were really big hits: Der Kommissar - (1982) Einzelhaft  albumRock Me Amadeus - (1985) Falco 3  albumJeanny   - (1985) Falco 3  albumVienna Calling  - (1985) Falco 3  album Rock Me Amadeus Lyrics Released in 1983, Rock Me Amadeus was Falcos biggest hit and it topped music charts all over the world. There was also a U.S. version released for radio, but the lyrics do not have the same pizazz or tell the full story of Falcos original lyrics. In true Falco form, English is scattered throughout this song. This is particularly true in the chorus, which is quite catchy and filled with little more than Amadeus, Amadeus, Rock me Amadeus.   Instead of including the complete song lyrics, lets focus on the German verses and their translations. By isolating these lines from the hit tune, we can see Falcos admiration for Mozart which was likely influenced by his classical music training in Vienna. The original lyrics show how Falco brought the classical composer into the spotlight and explained him as a rock star of his day. If you know much about Mozarts life, you will realize that this is really not far from the truth. Falcos Lyrics Direct Translation by Hyde Flippo Er war ein PunkerUnd er lebte in der groen StadtEs war Wien, war ViennaWo er alles tatEr hatte Schulden denn er trankDoch ihn liebten alle FrauenUnd jede rief:Come on and rock me Amadeus He was a PunkerAnd he lived in the big cityIt was Vienna, was ViennaWhere he did everythingHe had debts, for he drankBut all the women loved himAnd each one shouted:Come on and rock me Amadeus Er war SuperstarEr war populrEr war so exaltiertBecause er hatte FlairEr war ein VirtuoseWar ein RockidolUnd alles rief:Come on and rock me Amadeus He was SuperstarHe was popularHe was so exaltedBecause he had flairHe was a virtuosoWas a rock idolAnd everyone shouted:Come on and rock me Amadeus Es war um 1780Und es war in WienNo plastic money anymoreDie Banken gegen ihnWoher die Schulden kamenWar wohl jedermann bekanntEr war ein Mann der FrauenFrauen liebten seinen Punk It was around 1780And it was in ViennaNo plastic money anymoreThe banks against himFrom which his debts cameIt was common knowledgeHe was a womens manWomen loved his punk Note: English phrases in italics are also in English in the original song. Der Kommissar Lyrics Falcos first international hit was Der Komissar, released in 1982 on the Einzelhalt album. This song is a perfect example of how Falco mixed German and English in his music. This unique style in language had a certain appeal to his fans and is one of the main reasons why he found such worldwide fame. Der Kommissar also demonstrates how innovative Falcos music was in the early 80s dance club scene. This is one of the great examples of the singer fusing techno-pop music while  rapping the German lyrics. This song still gets a lot of play on hits-of-the-80s radio stations- usually the English version by After the Fire. A German line from that song did, however, became familiar to English-speakers around the world: â€Å"Alles  klar, Herr Kommissar?† (Got that, Mr. Commissioner?). Falcos Original Lyrics Direct Translation by Hyde Flippo Two, three, fourEins, zwei, dreiNa, es is nix dabeiNa, wenn ich euch erzhl die GschichtNichts desto trotz,Ich bin es schon gewohntIm TV-Funk da luft es nicht. Two, three, fourOne, two, threeWell, it doesnt matterWell, when I tell you the storyNone the less,Im quite used to itIt wont be running in TV-Funk. Ja, sie war jung,Das Herz so rein und weiUnd jede Nacht hat ihren Preis,Sie sagt: Sugar Sweet,Ya got me rappin to the heat!Ich verstehe, sie ist hei,Sie sagt: Baby, you know,I miss my funky friends,Sie meint Jack und Joe und Jill.Mein Funkverstndnis,Ja, das reicht zur Not,Ich berreiss*, was sie jetzt will. Yes, she was young,Her heart so pure and whiteAnd every night has its price.She says: Sugar Sweet,ya got me rappin to the heat!I understand, shes hot,She says: Baby, you know,I miss my funky friends,She means Jack and Joe and Jill.My understanding of funk,yeah, itll do in a crunch,I understand what she wants now. Ich berleg bei mir,Ihr Nasn spricht dafr,Whrenddessen ich noch rauch,Die Special Places sind ihr wohlbekannt,Ich mein, sie fhrt ja U-Bahn auch.Dort singens:Dreh dich nicht um, schau, schau,der Kommissar geht um!Er wird dich anschaunund du weit warum.Die Lebenslust bringt dich um.Alles klar, Herr Kommissar? I think it over,Her nose does the talking,While I continue to smoke,She knows the Special Places very well;I think she takes the metro, too.There theyre singing:Dont turn around, look, look,the Commissioner is out and about!Hell keep his eye on youand you know why.Your zest for life will kill you.Got that, Mr. Commissioner? Hey man, wanna buy some stuff, man?Did you ever rap that thing Jack?So rap it to the beat!Wir treffen Jill and JoeUnd dessen Bruder hipUnd auch den Rest der coolen GangSie rappen hin, sie rappen herDazwischen kratzens ab die Wnd. Hey man, wanna buy some stuff, man?Did you ever rap that thing Jack?So rap it to the beat!We meet Jill and JoeAnd his bother hipAnd also the rest of the cool GangThey rap to, they rap froIn between they scrape it off the walls. Dieser Fall ist klar,Lieber Herr Kommissar,Auch wenn sie andrer Meinung sind:Den Schnee auf dem wir alleTalwrts fahrn,Kennt heute jedes Kind.Jetzt das Kinderlied:Dreh dich nicht um, schau, schau,der Kommissar geht um!Er hat die Kraft und wir sind klein und dumm,dieser Frust macht uns Stumm. This case is clear,Dear Mr. Commissioner,Even if you have a different opinion:The snow on which we allski downhill,every child knows.Now the nursery rhyme:Dont turn around, look, look,the Commissioner is out and about!He has the power and were little and dumb;this frustration makes us mum. Dreh dich nicht um, schau, schau,der Kommissar geht um!Wenn er dich ansprichtund du weit warum,Sag ihm: Dein Lebn bringt dich um. Dont turn around, look, look,the Commissioner is out and about!When he talks to youand you know why,tell him: Your life is killing you. * à ¼berreissen Austrian slang for verstehen, to understand Note: English phrases in italics are also in English in the original song. The German and English lyrics are provided for educational use only. No infringement of copyright is implied or intended. These literal, prose translations of the  original German  lyrics by Hyde Flippo are not from the English versions sung by either Falco or After the Fire.

The sports broadcasting industry analysis Research Paper

The sports broadcasting industry analysis - Research Paper Example For example, football broadcasting accounts for the largest share of revenue in European countries. Highly ranked channels are advantageous over local channels that depend on free provisions to air programs. The channels have a limit for airing programs, a process that influences the overall revenue for a broadcasting company (Humphreys & Dennis 4). Giving a company absolute rights to broadcast events leads to escalations in revenue. Broadcasters who transmit live programs earn much revenue as opposed to persons transmitting recorded programs (Vogel 3). Recorded programs act as backup for revenue especially when live transmission occurs during odd hours. The right to transmit programs live is determined by the contract issued by a broadcasting company. Broadcasting directs has several advantages over broadcasting via cable. Affiliate fees create monopoly in advertising because it gives cable channels the autonomy to increase revenues by charging their affiliates highly. Moreover, they deny other channels the opportunity to increase their customer base by monopolizing sports

Melbourne Target research raport Paper Example | Topics and Well Written Essays - 2500 words

Melbourne Target raport - Research Paper Example The business assigned to this DMO is to increase the public image or tourism to Melbourne. Melbourne is Victoria’s primary tourist destination and is the gateway to Regional Victoria. It is the cultural capital and the second largest city of Australia. Overlooking the Port Philip Bay, Melbourne attracts a large number of both national and international visitors. It has places of historical and cultural interest, apart from the shopping malls situated alongside the parks and gardens (Totally Australia, 2010). The city is now seen as the nation’s leading destination for style, romance, cafà ©s, bars and nightlife (Destination Melbourne, 2009). Melbourne boasts of world class restaurants and theatres and is considered the top Australian destination for shopping. It has the potential to be the main point of entry for overseas tourists. However, Melbourne has not been able to attract international students because of growing violence issues (ABC News, 2010). This image should not impact the tourism sector. Thus, to develop Melbourne as a prime destination, it is essential to evaluate the demographics, the needs and wants of the customers that are keen to visit Melbourne. Based on this study, the marketing strategy to promote Melbourne as a tourist destination will be devised. The biggest age group among the domestic overnight tourists (21.9%) that traveled to Melbourne in the year ended March 2010 was ‘35 to 44 years’ followed by ‘45 to 54 years’ (20.4%) and ‘55 to 64 years’ (15.4%). Approximately 20.9% Australians prefer to visit Melbourne (Destination Melbourne, 2009). Almost 46% of the visitors prefer to stay the night with friends or relatives while 17.4% of the visitors look for hotels or inn below 4-star category. Those looking for luxury hotel or resort comprise of 16.5 percent. While at Melbourne, people love to eat out (66.7%). Domestic tourism brings in $4.6 billion in Melbourne and the average spend per night is